At its core all my work is about landscape or environment in some sense. In theatrical terms then what that means is I am trying to create an environment within which the performers can do their best work and the text, if there is one, is supported and elevated. So a kind of sonic scenography I suppose.
Theatre credits include:
A Song for Ella Grey, Crongton Knights, Noughts and Crosses, Brighton Rock (Pilot
Theatre UK Tour); You Bury Me (Paines Plough); Hare and Tortoise (Buxton Opera
House); Pop Music; 71 Coltman Street; TWO; The Beauty Queen of Leenane;
Abigail’s Party and The Glee Club (Hull Truck Theatre); Model Village; The
Fishermen; trade; Playland; Wasteland; Honeyman, Watching the Living, The Great
Almighty Gill, Dolly, Entertaining Angels, He Wore a Red Hat, Maryland (New
Perspectives); Love N Stuff, We Should Definitely Have More Dancing, The Jungle
Book, Robin Hood (Oldham Coliseum); The Cold Buffet; One Off (Live Theatre,
Newcastle Upon Tyne); Compositor E ( Omnibus Theatre Clapham & Vault
Festival); Queer Lady M, Much Ado about Nothing (1623 Theatre Co); My Mother
Said I Never Should and The Rise and Fall of Little Voice (Theatre by the Lake,
Keswick); The Cherry Orchard; The Glass Menagerie; Arcadia; Any
Means Necessary; A Skull in Connemara; How to Breathe; Chicken Soup with
Barley and Mother Courage and Her Children, After Miss Julie, Hare and Tortoise,
Princess and the Frog, Whiskey Galore, The White Album, Old Big Ed, Tracey
Beaker (Nottingham Playhouse); One Man Two Guvnors; Beyond Shame; Two and
Sweeney Todd (Derby Theatre; Getting Better Slowly (Adam Pownall UK Tour); The
Beautiful Game (Next Door Dance); Call of the Wild (Greenwich Theatre, London);
What the Butler Saw; A Streetcar Named Desire and Shiv (Curve, Leicester); The
Snow Queen and What Became of the Red Shoes (Little Pixie Productions); Babe;
Private Lives; Saturday Night & Sunday Morning; Arsenic and Old Lace; Betty Blue
Eyes; The Butterfly Lion; Noises Off; Ascension and Educating Rita, King David
Man of Blood, Intimate Exchanges (Mercury Theatre, Colchester); Dancehall; The
Glee Club (CAST, Doncaster); Mosquitoes,The Knot of the Heart, Women of Troy,
The Clockmakers Daughter, Shrew’s Who, Flare Path, Slaves of Solitude,
Speculators, Twelfth Night, Bronte (Birmingham Royal Conservertoire); Taming of
the Shrew, The Merchant of Venice, Broken Hearted, Women on the Verge of HRT,
Educating Rita, Sweeney Todd, Stepping Out (Derby Playhouse); The Promise
(New Wimbledon Theatre).
Audio/Radio Drama & Podcasts:
And Never Home Came She (Little Pixie Productions)
Voice of the Fire by Alan Moore (Audible, New Perspectives)
The Fishermen ( BBC Radio 3, New Perspectives, Naked Productions)
Letters of Constraint (National Justice Museum)
Snake Oil (Emily Holyoake)
We Need New Stories (Fifth Word)
The Black Dog (Little Pixie Productions)
Sherwood Voices (Excavate)
Open Court with John Burgess (National Justice Museum)
The Secret City (Potboiler)
From Sad Shires (Little Pixie Productions)
PlacePrints (New Perspectives)
Our Youth Grows in a Wasteland (Potboiler Theatre)
Mindful of Life (VeganTek)
Haunts (New Perspectives)
Red Skies over Towthorpe ( Theatre Writing Partnership)
Bodies in the Library (Theatre Writing Partnership)
Threads (European Theatre Convention)
Visible (Theatre Writing Partnership)
Museum & gallery installations include:
Finding Lines (Derby Museum)
Objects of Love; Hope & Fear (Derby Museum)
Conflict & Chaos (National Civil War Centre).